The Roundabout – Vol. 4 – March 2015

Well hi there folks, I’m not really sure what to talk about this month.  It’s probably going to be brief.

It’s been an absolutely wild month in which I feel I’ve done nothing, and yet seem to have done a lot.
It’s been a month of change and bluster…fitting for March.  The winds of fortune swirling around, blowing this way and that, shifting everything.
++++++++++++The Studio+++++++++++++++++++++++++++++++++++++++++++++++++
I’m in.
100% in my space.
And it’s a mess.  Dreadful, horrible, cluster of a mess that looks like a tornado hit it.
But I’m in.  No longer in storage.  And things just keep falling in my lap.  I’m going to be that eccentric guy in the Mill. I will have a fountain outside my door and a fake ficus I call Fakeus to keep the fountain company. There will also likely be a table beneath the fountain and some other fake greenery – because honestly real greenery isn’t going to grow in the dimly lit hallway outside my studio.  I’ll try real greenery inside. I like green things.
I also salvaged a sign that was going to be tossed. It’s a fantastic old marquee from the 70s that I don’t think has actually worked properly since I’ve been alive.  But I took it and applied a little lovin to the sign and now it properly welcomes people to the Pond.
Plus too many other things to really list off, but for which I’m grateful to the universe for sending my way.  I will try to do it all justice and put it to good use.
I’ve got about a month to see it all sorted properly.
Which brings me to an announcement.
********ANNOUNCEMENT TIME***********fanfare**********************doodododooo*****************
Mark it down my friends, May 1st, 2015, Halfacre Pond, located in the WRK GRP section of Taylors’ Mill in Taylors, SC will be having a grand opening as part of the grand re-opening of Taylors’ Mill.
You’re all invited to see the new space and to have fun.  I’m told it will be a veritable circus with live music, entertainment, food trucks, the works.
Hoooooo boy… I’ve got a lot of work to do.
Immediately following the epic success or catastrophic failure of the grand opening of Halfacre Pond, I’ll be going to see Avengers: Age of Ultron.
A few of my friends and I began planning that out today, a month in advance.
Yes, it’s that important.
Yes, you’re invited to that as well.  Midnight show at the Hollywood 20, Friday (yes Friday) May 1st.
Yes, I’m a geek. You knew that already.
Few things get me more pumped up than comic stories and characters brought to life and done well. They are our modern myths. Our heroes and legends. Our moral allegories of the present day. And of late, they finally get the treatment and respect they deserve.
The boom of the comic cinematic and television translations has made me giddy. It tickles the nerd neurons.
So much so that my friend Sean and I have started a podcast devoted entirely to comic material on the silver and small screen. It hasn’t been released yet, but we’ve got five episodes in the can so far and if you want to hear them, please do bug @seancampbell on the twitters to get them out there. :D
PS – We call it… something really awesome you’ll just have to wait for.
[[[[[[[[[[[[ In Production ]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]
I haven’t released much this month.  I know. I’m terrible.  I haven’t done any photo shoots.  Not a single one this month.
All my time has been devoted to getting the studio up and running and also to several projects currently in production…including GBS, PS, and a film I’m currently working on – and should be working harder on – for the MyRodeReel contest, which I’m looking to shoot in April.  I’ve actually taken time off to do so.
But I need a little help.
Right now, I’m kinda short one location for the film and possibly a lead actor.
Anybody know of a theater I could use for a few hours?
Maybe an actor? Male? 20s-30s.  The guy I cast originally is moving away soon, so probably won’t be able to do it.
It’s juried show season again. Time to do some prints and have my work judged by other people.
So far this year I’ve entered Carolina’s Got Art and the 40th Annual Juried Show at the Anderson Arts Center.  Will find out next week if anything got in.  Wish me luck :D
If it does, I’ll do a mid-month blast with all the show opening dates.
Maybe it’s the hour, maybe it’s the mushy fingers I’m feeling as I type and gibberish comes out, but nothing really, really stands out among the hours and hours of things I’ve watched this month.
Nothing I haven’t already covered before. It’s all met expectations of being good, with few falling short.
Arrow, Flash, SHIELD all staying the course…nothing out of the ordinary or exceptional.
Animes are finishing this month. Aldenoah.Zero has perhaps been the best surprise out of Japan this last year. It’s an exceptional story that I think will have legs beyond the season. Sure, there have been some great shows the past year. Most of which I’ve forgotten the names of and didn’t leave much impact on me.  I think I’ll be rewatching A.Z in the future and will find it just as relevant and impactful then as it is now. Few series do that.
YuYu Hakusho… that’s one that does. It’s a treasure from the 90s I treated myself to this month, finally picking up the boxed sets. Also, Full Metal Panic!  I watched that whole series again for GBS and loved it just as much as the first time I watched it 13 years ago.
Movies and TV consumed: YuYu Hakusho, Aldenoah.Zero, Log Horizon, Durarara!!x2, Kaze no Stigma, Full Metal Panic!, The Devil is a Part Timer, Arrow, Flash, Agents of SHIELD, Powers, The Blacklist, Backstrom, House of Cards, Game of Thrones, Unbreakable Kimmy Scmidt, iZombie, Wild Card, 2 Guns, Hector and the Search for Happiness, Rope, Birdman, Whiplash, The Theory of Everything
That reminds me. If I EVER hear drums featured heavily on a soundtrack again I’m walking out of the movie or turning it off.  Whiplash annoyed the crap out of me with it and so did Birdman. Yes, I know Whiplash is about a drummer. JK Simmons was fantastic in it. But it serves no point to play the same damn thing over and over again with minor variations.  I can’t tell the difference and found it actually distracted from the story rather than adding anything to it.  Then Birdman did it for no damn reason at all except to show the film kids the difference between diegetic and non-diegetic sound.  ENOUGH WITH THE DRUMS
Also, I met the new Reed Richards and the new Supergirl in the same movie.  One furthered my decision to not bother with Fantastic 4 and the other didn’t tick me off.
################ OUTSIDE ####################################################
It’s some place I’ve been going more, lately.
The fresh air, delicious sunshine, not freezing temperatures.  Quite refreshing.
I’ve been frustrated with a lot of things lately, yes even despite all the good things happening, minor things have been irking me.
Reading outside helps. I finished The Arrivals, finally, and have been delighting my eye holes with Patrick Rothfuss’ The Slow Regard of Silent Things which I have been intending to read since December.
It’s an odd little story that I’m falling in love with.  It’s more a novella than novel and comes with illustrations, something I wish more books would take note of. Art bolsters the story. I’ve always been a fan of creative deviations from normalcy.  I’m one myself. This book is definitely for me.
Later today I intend to pick up PV Brett’s The Skull Throne which pleasantly popped on my radar earlier this month.  I wasn’t expecting another volume in his series for another year.
But that seems to be the way of things. I’ve got new fare from Robin Hobb and Brandon Sanderson as well.
It’s time I took a break from TV and go read under a tree again.  I need to find a good one here.
In college, there was a delightful little park tucked away by my major building that had these remarkably large cherry trees, and every spring I would just go relax and read beneath them. One of my fondest memories.
Someplace quiet, with only the wind to keep me company as I leaf through the pages of other worlds.  Where can I find that?


The Roundabout – Vol. 5 – April 2015

Hello again my good friends, how have you been?

*listens patiently*
That’s excellent to hear! Now on to me. :) That’s why you’ve stopped at the Roundabout, after all.
You know how I said May 1st would see the big shindig to kick off the Mill’s grand reopening? Well, I was lied to.  It was intended to be the big kickoff, but now it’s been delayed once more… now the big party will be June 5th, so I hope you’ll drop by and have a good time then…
BUT for those of you who have already cleared your calendars to come see me in the new space, well come on out! I’ll still be there and so will several other friends of mine in the mill.  250 Mill Street, Taylors. We’re up on the 2nd floor in WRK GRP.
My studio space is ready and already in use! In fact, it was used just last night.  I’ll be sure to tidy up before you arrive though, but pardon the mess if I don’t ;P
(((((((((((((((GGGGHosts of the Mill))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))
I began this series last fall and was able to get 3 shoots in before the drama unfolded. It, like everything else, got put on hold while all that was sorted, but now it has resumed!
Last night I coaxed my friend Jenni out to play a 1920s era flapper and ghost about the mill.  (toward the end of the gallery)
This series is comprised of shots using long exposure and double exposure.  It’s rather mentally challenging and actually works more like a video production than a normal photo shoot.  Last night, I found myself actually blocking out the movement in the shot with Jenni, setting positions and marks, timing it out.  Directing Motion in a still. The exposure is taken for 15 seconds or more, depending on the location and available light, so all the action has to take place in that time.  Off camera flash is used to freeze each pose in the frame.  That’s how I achieve clarity and transparency in the image.
It certainly is an exercise in mental imagery. Visualization. Even more than shooting with light you can’t see…like infrared or even flash… you have to know how the light will read, how long to hold the position so the subject shows up enough but still maintain the transparency for the ghost effect.  I really enjoy the challenge of this series and there will be a few more added to it.  Huge thanks to Jenni for helping resurrect the ghosts, and to those still to come.
……..[ o*]……PHOTO BOOKS…………………….………………………………………………../
In fact, I will be having a photo book from this series made and it will be for sale at the June 5th grand opening. Not sure how much I will be charging until I actually lay it out and find out what it’ll cost to make, but I imagine it will be in the same as Abstracting Waters – around $60.  I’ll be ordering May 15th if you’re interested in a pre-order.

Speaking of, I still have a few copies of Abstracting Waters available if anyone is interested.

Also, I’m working on a third photo book tentatively entitled Eye For Detail which will build upon a subject matter that’s always fascinated me: Old items. Weathered, decayed, survivors, small things of interest overlooked every day but that have great character. It may be available in time for June 5th, but I may hold off until July.  We’ll see how it comes together :)
I enjoy photo books.  I think they present collected works well.  I always end up with a sheer glut of images that are great but never see a printer, this is one way I deal with that. Plus there’s just something so powerful about holding a tangible artifact of your work, work that by its new nature is very ephemeral.
Art Show news. The Anderson Juried Show was great.  Lots of talented artists’ works on display. Didn’t take home any prizes this year, but it is the first time both pieces got into the main show.  Plus, there was actually buzz about my pieces.  I heard people speaking about the Econoline tailgate and even came across this lovely old lady describing my Glendale Shoals piece to a little crowd gathered around her.  I did something unlike myself and went up and introduced myself to her and the group.  Perhaps it will sell? Who knows.  It’s nice to be noticed though.
No love from Carolinas Got Art. Oh well.
Next show I’ll be entering for sure is the Spartanburg Library’s 3rd Annual Juried Show.  I may also try to shoot something for the Foundry Arts Centre’s Circus show…deadline for it is May 15th as well…so I need to figure out a circus themed shoot fast.
&&&&&&&& As I Write This &&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&
I’m watching The Blacklist, one of the best shows on television, and am suddenly reminded of perhaps the BEST show to be released in the last decade, a real top tier production, of course I’m talking about Daredevil.
Now, I won’t gush too much, though I honestly could go for hours on the show, but suffice it to say that you should be watching Daredevil, even if you’ve already seen it, you should be watching it again. And again.
It is so well crafted that it is hard to find any fault with it – rare for me, even rarer for a friend of mine who found no nits to pick – other than there’s not more television like this.  The storytelling is phenomenal and the cinematography is absolutely brilliant. Another friend called it the Renaissance of Noir and he couldn’t be more spot on with that assessment.  The interplay of light and shadow and bold, brash colors defining the scenes is remarkable.
It is breathtaking and yet inspiring. Quite the dichotomy.
This brings me to an event we’ve been waiting on for years.  Phase 2 is complete, and I know some of you have already seen Avengers 2, and I’ll ask you to hold your spoilers – one of the only times I’ll ask for that – and I am SUPER PUMPED EXCITED to see it on the big screen.  If you care to join, local friends, Friday night at 12:15AM at H20. That’s when I’m going.
It will be hard to live up to the first, but honestly, I believe they did.  The first trailer was good enough for me to have faith.
Phase 3 is going to be the real test for the MCU though. They are expanding well beyond the core that the mainstream public has become familiar with into characters and territories and worlds and events deep in comic lore where only the geekiest nerds dare tread. Those who have navigated the turgid waters of Retcon and swallowed bitter pills larger than any Infinity stone know what lies ahead, the bounds to which disbelief’s suspension will be stretched, the turmoil and strife that comes with re-integrating a long lost friend into the world.  It’s going to be rough. It will test who of the main stream has enough gumption to stick with the MCU all the way through Phase 3.
For me, I’m excited to see what’s in store.  I’ll ride this high as long as the general public is funding the budget to make these dreams come to life.
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!Production Halted!!!!!!!!!!!!!!!!!!!!!!!!!!Temporarily!!!!!!!!
Well, my vacation came and went without a film being produced.  The logistics and talent just didn’t line up this time.  I haven’t abandoned it, but it is on hold for the moment while I get other projects up and running, establish myself more, and get a wider pool of cohorts to call from.  Tis the way of things.  Everything changes.
I received a rather odd message on facebook when I got up today.  Not odd in content, but just circumstance. A somewhat random acquaintance I met at a MTG tournament sent me this message. It read something to the extent of “If you ever delete people you don’t talk to from facebook, please don’t delete me, because I enjoy watching your photographic exploits.”
It was odd because this person has never liked, commented on, or even spoken about any of my photos before, and is not (currently) on this list. I believe him. And obviously it was in response to Ghosts, but I wish he’d spoken up sooner.
Which is why I’m glad all of you have.
There have been many negative things going on that have stretched me to my bounds, but I’ve been making it thanks to you guys.  Knowing people actually care about what I do with my photography and creativity helps tremendously. It is often a supremely solitary pursuit and while sometimes that is a perk to what I do, it’s also during those solitary times that doubt and misgivings eat away at my thoughts.  Knowing you guys are on the other end of the email helps keep it at bay.
So thank you, as always, for being there. For liking what I do. For supporting me. For speaking up and telling me.
That brings us to the end again my friends.  Until next month, be well and keep in touch.
James Pittman

The Roundabout – Vol. 3 – Feb 2015

Time keeps on slippin, slippin, slippin…into the future…

Okay, I’ll spare you my dreadful rendition of that song, but for the February Roundabout on this last day of the shortest month of the year, I want to talk about time.
++++++++Studio Time++++++++++++++++++++++++++++++++++++++++++++++++++++
After much wait time, uncertainty, and many moments of doubt, I’m pleased to announce I signed the year-long lease on my studio last week!
That’s right, the JPG and Halfacre Pond have a physical home again, now in Taylors’ Mill.
About damn time!
You’ll probably find me there after midnight and during most of what down time I have.
For the next year.
I’ve decided that I’m going to give it a year to become self sufficient… if it doesn’t, then I’ll probably pack it in and it’ll be time to move on.
For now though, it’s time to move in! (Pics coming next month)
^^^^^^^^^^^^Down Time>>>>>>>>>>>>vvvvvvvvvvvv<<<<<<<<<<<<<<<<<<<<<<<<<
Yes, I actually have that, from time to time.
I think.
I’ve kinda co-opted my down time for feed time for halfacre pond. On my down time, I enjoy watching movies & television shows (which I now review), watching anime (which I do a web series about with a friend), reading, and lambasting myself for not writing even though I desperately want to but the fictional words just don’t flow any more…dried up with the passage of time.
One story involves a future time traveler, another of timeless creatures eons old, and still another of a time yet to come in which we burn water from the skies and humanity finds a use for the appendix.
I suppose I must find solace in the fact that I’m exercising my words again with non fiction and thoughts like those found here in the Roundabout and those various and sundry reviews and other essays and articles on
***********Production & Consumption *********************************************************************
Those thoughts, varied and sundry as they are, coalesced into an article reminiscing about my time playing Magic: the Gathering and a potentially new article series I’m calling Double Feature in which I contemplate movie pairings – unusual pairs, thematic pairs, movies that compliment each other to provide an experience greater than the sum of the individual films.
The first up was Gone Girl and John Wick.  Not quite sure how that’d work? Check it out.
The other major avenue of production this month came from a little show I’ve started called The Good, the Bad, and the Screwy in which I get my friend Max to watch a new anime each week in an effort to guide him to the good stuff and past the dangerous cliffs of the bad. It’s been fun. Hoping to keep it going for a while, but time has gone against us. Production has been fraught with delays due to the snow and other factors. We’re working it out and are playing catch up the next couple of weeks.
To make these things, consumption of copious amounts of media is required.
I’ve almost finished The Arrivals, that novel I mentioned last issue, about a band of killers and sinners and misfits pulled from across time from as far back as the Victorian period and the Wild West to modern day into an alien place called The Wasteland. It’s good so far, though a relaxed read that doesn’t keep you frantically turning pages – which is actually good this month since I haven’t had much reading time.
A couple of movies worth a few moments of time.
The Conversation, a film by Francis Ford Coppola starring Gene Hackman, circa 1974. Hackman plays a security and surveillance expert who, while already highly paranoid, believes he’s come across a murder plot while on an investigation, slowly piecing together bits of a conversation he’s assigned to record. Truly a classic, building suspense through repetition and pacing and subtle bits of maneuvering on the part of the story to really bring about something from nothing. Keep an eye out for a pre-Star Wars Harrison Ford.  If Hackman’s character seems familiar, well he should, he’s played the same guy twice – unofficially. Tony Scott’s Enemy of the State is an unofficial sequel of sorts. It’s worth your time and available on Netflix.
Predestination is all about time. Mobiusine is the best word I can make up to describe it. It’s one long conversation, essentially, between Ethan Hawke and Sarah Snook (who, I might add, delivers an excellent performance in this) in a bar and across time. Please don’t hurt your brain watching this one…paradoxes do tend to bring on migraines….but the film is quite good. It’s based on a story by Robert Heinlein, you’ve been warned. Available from redbox.
Also viewed: Stonehearst Asylum, The Station Agent, Not Another Happy Ending, The Cave of Forgotten Dreams, Gone Girl, John Wick, Two Guns, Fury, Unicorn City
Television has been particularly good of late. Arrow has proven again what happens when you have faith in a series and give it time to mature. Three years ago there were no comic book shows on television. Now they’re everywhere and they are delightful. They show that the stories can be well developed and characters can grow and show remarkable aspects of themselves if given a chance.
The Flash has a particular timeless quality to it that I’m greatly enjoying, even as they rush toward Paradox. A huge Bravo to the writing team for their brilliantly elegant translation of heady time travel theory into layman’s terms using classic cinema: Terminator and Back to the Future. Clever.
As seen not on TV (who watches TV on the telly anymore? Ain’t no one got time for that!) – Arrow, the Flash, Gotham, Agent Carter, The Blacklist, Constantine, Backstrom, M*A*S*H, Full Metal Panic!, Space Dandy, Durarara!!X2, Log Horizon, Aldenoah.Zero2, Cross Ange, Psychic Detective Yakumo, Prince of Tennis.
&&&&&&&&&&&&Wheel of Time&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&
I would be tragically remiss if I did not mention in a missive focused on time the fact that we received this month the Wheel of Time pilot no one wanted starring Billy Zane in perhaps the most literal translation from page to screen I’ve ever seen.
My friend Brandon put it best: “My mind boggles that this exists, that the Jordan estate disavowed it, that it’s so awful, and that they managed to be 95% word-for-word accurate and STILL manage to completely and irreversibly deviate from the book.”
To quote the series:
“The Wheel of Time turns, and Ages come and pass, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth comes again.”
Please, please, please let this myth be long forgotten before a true, approved adaptation appears.
——————-Playing with Time———————————————————————————————–
And now for what you’ve all been patiently waiting for, my trip to Glendale Shoals.
This is the only photo expedition I had time for this month, what with the doom falling from the skies and all, and it’s the perfect exploration of the use of time in photography.
Timing is everything in photography: the wait for the perfect moment, the time it takes for the light to be right, the requisite time one must spend with a location before it gives up its secrets, even the events leading up to and after the shoot bear on the final images.
That day had a most peculiar flow to it.
It was a Tuesday, I didn’t have to work, so I slept in a bit. Got up and watched Gotham, ate, and decided I was going to shoot that day.  It had been far too long and I wanted to experiment with falling water and long exposure.
Now, I knew where I wanted to go, but I could never remember what this place I had seen with the old rail bridge and mill dam and rushing water was called. So I asked a friend who had been there, Mike, and he told me and I figured out how to get there. Well, I also needed to pick up a print of Sheep, the Woman, and the Blackbird another friend named Mike did on a sheet of acrylic – turned out fantastic, btw, drop by the studio to see it before it gets shipped off to the West Coast – so I planned my route and would get to the Shoals about 4~4:30 to catch the last chunk of light for the day.
Or so I thought.
I lingered. At home having conversations. Looking up info on this place. Taking it easy. Headed out, chatted with Mike at the shop, made some plans for the following Friday.  Alright, a little behind schedule, but sun wasn’t setting until just before 6.
Get to Pine Street. Shut down. There’s been a wreck across 3 lanes. Judging by the yet to be totally atrocious backup, it’s just happened maybe 20-30 minutes before.
The amount I delayed lingering in conversations.
Well, I find all that out later, but right then, I was more annoyed at the delay and the rapidly dwindling shoot window.
I ended up taking a most circuitous route to the Shoals, which put me there quarter after 5.
I shoot a lot on the bridge, try to work the sun in, but it’s kinda bland and…well…as powerful as the sun is, when you’ve seen it incorporated into so many shots, it just doesn’t strike you much any more. The sunset wasn’t particularly spectacular either.  Those get old in photos too. Never really in person, but in photos.
The best shots that day come before and after the sun set. Before, it illuminated the ramshackle buildings tumbling down upon themselves in a golden light of yesteryear, highlighting the crackling age upon the face of the bridge.
People always seem to like the buttery smooth flow of tumbling water. It’s a tricksy subject to capture. These sorts of shots are done using long exposure to get motion blur on the water.
The problem then becomes the light. Where usually photographers beg and scream for more luscious, delicious light, we begin crying for shade. We throw neutral density filters on the lens, stop it down all the way to f/22, do everything we can to cut away the excess light bombarding the sensor for all that extra time.
Remember, typically the shutter is only open for 1/200th of a second, less than the blink of an eye, but when you try to catch a smooth waterfall, you’re talking 8/10ths of a second or a whole second or even 5 to 10 whole seconds the shutter is open allowing light to flood the sensor. It’s an eternity in modern photography.
What is one to do?
Well, I waited.  I waited until after the sun vacated the sky, leaving only the delicate afterglow of twilight.
Less light? It seems counter intuitive at first, but when you think about it, it’s exactly what you want for the shots.
This serene shot is the result of light distilled for 8/10ths of a second, combining the smooth falls with the glassy reflection. It’s also the first print I’m having made in 2015. I ordered it as the largest print I’ve ever had made – 30″x45″ – as a canvas gallery wrap. Drop by the new place and check it out later next week :)
Less light allows you to spend more time setting up your shot, standing out in the middle of the shoals looking back into delicate falls with a gleaming red bridge and a previously harsh sky which if it’s still too much, can simply be blocked out by your hat. That’s how I got this shot. With an overall exposure of 15 seconds, I had time to work out a double exposure of sorts, covering the top half of the lens with my hat for the first 10 seconds while the falls and foreground river were exposed the whole time. It’s crazy, but it works when you have time.
Time was fleeting though. I could barely see the shoals beneath my feet as I counted the seconds off in my head. Expanded shots in condensing time, what a concept.
The longer I lingered, the longer the exposure, the fewer shots I got in the dwindling light. The asset quickly turned toward the edge of danger, and I hopped back to shore to revisit the tumbledown houses and try to catch a ghost. No luck, but I might have caught the Flash streaking by.
At that point I was tired, my fingers were frozen, and my back was starting to ache from the cold. It slowed me down enough to watch a mother pull up to the bridge and get out with her kid to look at the full moon rising beside the old mill.
It had entirely escaped my notice, the little bit of it peeking over the horizon at that point. I was so concerned with packing up and getting warm that I failed to notice my surroundings. Again, delay caught my attention and something magnificent was seen.
The graffiti on the bridge reads Short Work. Which, it was, honestly. I was out there maybe an hour, but many more hours went into it, though it felt like much less.
=========The Passing of Time=============================================
My watch died today.
So did Mr. Spock.
Actor, director, and fellow photographer – Leonard Nimoy was an incredible spirit and light in the world. Few have the privilege to impact the culture of everything the way he has, and fewer still have born the weight of such things with as much dignity and careful consideration. I really cannot describe the absence his passing creates, but to say that the echoes of his works and words will resonate forward through time in the generations of minds he influenced.
The watch can be fixed, replaced.
Mr. Nimoy cannot.
I want to share with you an interview he gave a little over a year ago, made all the more poignant with his passing. Please pay special attention to his thoughts on the creative’s life.
%%%%%%%%%%%Regarding Time%%%%%%%%%%%%%%%%%%%%%%%%%%%%
Time seems to expand and contract with notice.
A co-worker today said that this year is already 1/6th finished.
That astounds me. We just started this year.
But, we just started last year. And the year before that.
Don’t kill it, pass it, waste it. Don’t think it is in infinite supply, because it’s not. Time is the only thing we have to spend in this life. That really has value.
Cherish it.
Do something meaningful with it. Do nothing with it, so long as the nothing is in pursuit of something – be it sanity, clarity, or that which only has meaning to you.
Spend it carefully and with purpose.
We don’t know how much we are given until it’s gone, and as it does, time keeps on slipping, slipping, slipping…